Rock Band Codexery

U2

U2's first overtly political album, featuring "Sunday Bloody Sunday" and "New Year's Day."

U2

War is the third studio album by Irish rock band U2. Produced by Steve Lillywhite, it was released on 28 February 1983 on Island Records. The album is regarded as U2's first overtly political album, in part because of songs like "Sunday Bloody Sunday" and "New Year's Day", as well as the title, which stems from the band's perception of the world at the time; lead vocalist Bono stated that "war seemed to be the motif for 1982." Recorded from September to November 1982 at Windmill Lane Studios, it was the group's third consecutive album developed at the studio with Lillywhite. While the central themes of U2's previous albums Boy and October were adolescence and spirituality, respectively, War focused on both the physical aspects of warfare and the emotional after-effects. Musically, it is also harsher than the band's previous releases.

Artist
U2
Franchise
Rock Band
Content Type
Downloadable Content (DLC)
Instruments
Guitar, Bass, Drums, Vocals
Status
Available in Library
Character Role
Non-Playable Artist

Verified Timeline

198019821983199020082012

Lore & Background

War was a commercial success, knocking Michael Jackson's Thriller from the top of the UK charts to become U2's first number-one album there. In the United States, it reached number 12 and became the band's first album certified gold. War received generally favourable reviews, although some British journalists criticised it. The band supported the album with the War Tour through the end of 1983. In 2008, a remastered edition of War was released. In 2012, the album was ranked 223rd on Rolling Stone's list of "The 500 Greatest Albums of All Time."

The album's opener, "Sunday Bloody Sunday", an ardent protest song, stems from a guitar riff and lyric written by the Edge in 1982. Following an argument with his girlfriend, and a period of doubt in his own song-writing abilities, the Edge – "feeling depressed... channeled [his] fear and frustration and self-loathing into a piece of music." Early versions of the song opened with the line, "Don't talk to me about the rights of the IRA, UDA." After Bono had reworked the lyrics, the band recorded the song. A local violinist, Steve Wickham, approached the Edge one morning at a bus stop and asked if U2 had any need for a violin on their next album. In the studio for only half a day, Wickham's electric violin became the final instrumental contribution to the song. During the sessions for "Sunday Bloody Sunday", Lillywhite encouraged drummer Larry Mullen, Jr. to use a click track, but Mullen was firmly against the idea. A chance meeting with Andy Newmark (of Sly & the Family Stone) – a drummer who used a click track religiously – changed Mullen's mind. Mullen used the click track to stay in time for other songs on the album. Three of the tracks featured backing vocals by the Coconuts, of Kid Creole and the Coconuts. In the words of Steve Lillywhite, "they just happened to be in Dublin on tour, so we hung out with them and they came in and sang on 'Surrender'. So it was sort of random – this serious Irish rock band having the Coconuts on their album."

In Their Own Story

The studio version of "40" was recorded during the final hours of the recording sessions in November 1982. Bassist Adam Clayton had already left the studio, and the three remaining band members decided they did not have a good song to end the album. Bono, the Edge, and Mullen Jr. quickly recorded the song with the Edge playing both the guitar and bass parts. Bono called the song "40" as he based the lyrics on Psalm 40. In live versions of the song, the Edge and Clayton switch roles, as Clayton plays guitar and Edge plays the bass. "Seconds" is a song about nuclear proliferation, and the possibility that Armageddon could occur by an accident. The track contains a sample from the 1982 documentary Soldier Girls. The Edge sings the first two stanzas, making it one of the rare occasions on which he sings lead vocals. "Like a Song..." was intended as a message to those who believed that the band was too worthy, sincere and not "punk" enough. Bono speculated that the song's punk attitude would have made more sense in the 1950s and 1960s, as opposed to the "dressing up" of the genre in the early 1980s. "Like a Song..." was only played live once. "Drowning Man" is the fifth track on the album. It was never performed live, although there are also unconfirmed reports that it was performed at a concert in 1983.

Reader's Guide

The album was titled War for several reasons; in 1982, Bono said, "War seemed to be the motif for 1982," adding that "Everywhere you looked, from the Falklands to the Middle East and South Africa, there was war. By calling the album War we're giving people a slap in the face and at the same time getting away from the cosy image a lot of people have of U2." The Edge said that "It's a heavy title. It's blunt. It's not something that's safe, so it could backfire. It's the sort of subject matter that people can really take a dislike to. But we wanted to take a more dangerous course, fly a bit closer to the wind, so I think the title is appropriate." The boy on the cover is Peter Rowen (brother of Bono's friend, Guggi). He also appears on the covers of Boy, Three, The Best of 1980–1990, Early Demos and many singles. Bono described the reasoning behind the cover: "Instead of putting tanks and guns on the cover, we've put a child's face. War can also be a mental thing, an emotional thing between loves. It doesn't have to be a physical thing."

In January 1983, "New Year's Day" was released internationally as the album's lead single. The single reached the top ten in the UK, and was the first release by the band to chart on the Billboard Hot 100. In March 1983, "Two Hearts Beat as One" and "Sunday Bloody Sunday" were released as singles in different regions. "Two Hearts Beat as One", a single in the US, UK, and Australia, reached number 18 on the UK Singles Chart; "Sunday Bloody Sunday", released in Germany and the Netherlands, reached number 3 on the Netherlands' charts. "40" was not released as a commercial single, but rather as a promotional single in Germany.

Did You Know?

Frequently Asked Questions

Who is U2 in the context of Rock Band?

U2 appears as a non-playable artist within the game, represented through their extensive library of downloadable songs. They are an iconic Irish rock band known for their anthemic sound and political themes.

What role does U2 play in the game?

The band serves strictly as a musical act whose tracks can be purchased and played by users on guitar, bass, drums, or vocals. They do not have a narrative role, unique powers, or interactive storylines within the Rock Band universe.

Why is U2 important to the Rock Band community?

They are significant because their songs, such as 'Sunday Bloody Sunday' and 'New Year's Day,' define some of the most challenging and beloved tracks in the game. Their inclusion highlights the franchise's commitment to featuring major political rock anthems.

What is U2's story ending in Rock Band?

U2 does not have a personal storyline or an ending within the Rock Band games, as they are real-world musicians rather than fictional characters. Their presence is limited solely to their musical catalog available for download.

Which specific album by U2 introduced their overt political themes featured in the game?

The 1983 album 'War' marked their shift toward explicit political commentary, a theme reflected in several of their Rock Band tracks like 'Sunday Bloody Sunday.' This era is often cited as pivotal for the band's lyrical direction.

More in Bands & Avatars

Elsewhere in the Rock Band universe

Spotted an error? Know more?

This is a living reference — every entry is fact-audited, and reader corrections feed straight into our audit queue. Suggest an edit · See this site's audit record

Comments

Loading…
Open in the interactive codex →